gogo music starts the year with another dope and deep release. continuing the liaison with south africa and katsaitis music we present blackcoffee feat. bucie and their title ‘,turn me on’,. blackcoffee is one of south africa s most respected house music artists and no stranger to gogo music as he belongs to the group shana, which already stormed the charts with our last release ‘,uyangichomela’,. as a dj blackcoffee played in all south african top clubs and scooped a sama award (south african dance music award) for best dance album in 2006. to date his fame is by far not bordered to south africa anymore, as he was for example chosen in 2006 and in 2007 to represent south africa at the red bull academy in barcelona, played numerous gigs in europe and released on real tone records.

joris voorn & jerome sydenham remixes !! joris voorn stands unquestionably amongst the very finest of todays electronic music production elite. the ever growing list of undisputed hits to come from the dutchmans rotterdam studio confirms is status as one of only a handful of current recording artists capable of creating with each subsequent release a flawless, precise sound that never lacks the essential human touch and organic flow necessary to deliver the biggest results in modern electronic dance music. with his remix of >destination nagano< voorn uses the originals distinctive, driving stab to build an epic, spiralling journey of a track which swings back and forth between wild, wailing sirens and graceful chord phrases before opening out into a beautiful, soaring break and drop momentdestined to create huge impact across the globe thisspring. jeromes shinkansen mix on the b side sees the extended form of the original become compressed and intensified as sydenham takes hold of the improvised key solo and creates an exhilarating house moment reminiscent of a certian classic, much loved ibadan sound.

the mighty shoes crew follow up their miles davis 12inch with this 4 track ep of bohannon re edits/remixes. deep and groovy and sure to please. me & my diva (a groover), summertime groove (with some serious slap bass), save their soles (deep head nodder) and come and dance (awesome!).

eargasmics 10th release showcases 3 different perspectives of the house sound from 3 different producers. all night dance - the debut from bjak and the unofficial eargasmic theme song, is an ultra smooth stomper thats reminiscent of the mid 90s loft party scene. a definite pick for all the deep heads. tetrode musics (and long time eargasmic member) specter adds his signature 5am beatdown sound style to this 12inch with i dont need. on the flip, the sun god makes a valiant return to eargasmic with an 11 minute beat track pulled out of his archives thats, as you ve guessed, complete mayhem.

invaders must die is the prodigys 5th album, and is 40 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel good horrorcore and your synapses snapped by whiplash attitude. its the sound of the prodigy mixing up genres, contorting the past and rewiring the future, ram raiding through the tranquility of musics status quo like a blot on the landscape of englands dreaming.

welcome to the world & welcome sophisiticated - a new shining label-star on electronic music labels sky. influenced by not less than 15 years of screening the finest electronic dance and techno sounds and deejaying, inspired by good old 80ies synthie tunes, to detroit techno, over omen sounds to current sophisticated electrotechno, bait and switch aka tom elektro provides the clubbing scene with his fabulous debut ep >the world< - your feet wont stand still!

persistencebit returns with the follow up ep of wang incs meditations for a better world series, which first part on persistencebit has been highly acclaimed and has been given incredible reviews, such as in de.bug magazine among many others. previously on sonig, bip-hop, and context, he now reappears with number two of the series and once you start listening you will know it all makes sense, given how close in spirit wang inc. s fresh fusion of experimental treatments and funk-house grooves is laid down. throughout the ep, wang speckles his fabulous metal machine music with rolling bass lines, high-stepping beats, and brilliant splashes of synthetic colour, whether it s the pounding stepper mind the gap or the pulsating future-funk of you are late a near-perfect fusion of experimental and dance musics, hyperactive dog splatters its house-inflected steam-roller with showers of whirr and click, and animates it with snares that hit so hard they could chop your head off. in the closer track this is the song to say goodbye he brings us electronic noise and beat madness to round things up and create a diverse sounding listening experience

this hot new e.p. for dessous introduces two new artists to its roster, in the form of well known and highly respected producer & dj ripperton, who runs the successful perspectiv label, alongside co-owner and recording artist sam k. this mixed and exciting release is headed off by the deeply spaced and simply hypnotic ‚eze‘, a straight collaboration between ripperton and sam k. its bouncing, deep techno pump underpins the track and keeps the pressure constant, while a wonderful phasing synth motif is explored and unfurled as the journey continues. beautiful atmospheric modern dance music! next sam k takes the reigns alone as he introduces the slower, fantastic world of ‚desperate housetrack‘. the title might be a clue to where the melody takes its inspiration, but this tough little groover has more than one surprise up its sleeve, showing off sam‘s love for slow burning, thoroughly explored arrangements. ‚slipstream‘ is ripperton‘s own unique solo voyage through contemporary acid house. its a stripped, low-riding jam that harks back messages from days of old but still had that fresh 21st century sound going on. a great dj tool and indeed a bold statement about the merits of keeping it deep!

iron curtis pieces originate in a place simultaneously tuned to the sounds of detroit, chicago and hamburg. in his home town of nürnberg, johannes paluka is more familiarly known under his surname, which he goes by at the turntable. intertwining deep-house with soulful techno in a disturbingly enchanting manner, his sound moves in the equilibrium of reduced, but never minimal. flashes of kitsch brighten the dark universe of iron curtis, but fail to interfere with the melancholy subtext. profound music for the dance floor!

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

question “whatcha gonna do?”, answer, “buy this, love it, marry it, play it and destroy dancefloors.” right now oliver $ is one of the most exciting dj’s / producers coming out of berlin. his unique take on house has gained mass support and regular play from the likes of luciano, ricardo vilalobos, claude vonstroke and winston churchill. “whatcha gonna do?” draws elements from the hyphy sound in that upon hearing the track the listener is forced to dance in an overstated, fast paced, and ridiculous manner which makes for a good party especially when it’s a club full of ravers going mental. oliver’s numerous productions are setting dancefloors alight across the globe and having recently remixed artists such as swag, justin martin, jacob london and filthy dukes on labels as diverse as polydor, greco roman and rekids, oliver $ is certainly the man to watch right now. whether you’re a dj, house head, lord, lady, tramp or ghost your going to dig this release, so now you know whatcha gonna and gotta do.

gianluca zunda is an upcoming dj/producer livin in a geographic area which gave birth to many producers who had an active role in writing dance music history all over the world gianluca is very young but even though this is his first single, he got helped by a couple of fine producers... this track has been tested a lot in our clubs with massive response from the the dance crowd.

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!

thisisnotanexit records was established in 2006 to release wild out there dance music inspired by factory and the legacy of tony wilson as well as contemporaries dfa and output. they came from the stars i saw thems new live favourite moon song taken from their recent album we are all in the gutter but some of us are looking at they came from the stars i saw them comes with a premier set of remixes from serge santiago, holy ghost and mungolian jetset as well as newcomers king of town and weird knights

now his latest brainchild sees the daylight. spaceshuttle backpack is another pumping, techy and warm tune that will stir up many dance floors around the globe. the original track was given that special new york ish remix treat by no one less than gaby dershin, who as most of you know is half of world renowned producer duo bit crushers. the second remix comes from prinsjan and dennis ruyer, a producer duo with genuine radio roots, being radio dj?s on ducth radio station radio538. these blokes took their spaceshuttle backpack interpretation to the deeper side of house music. all in all this again resulted in a very versatile package that will have quite an impact over the next couple of months for sure. a fresh sound has arrived, and those seeking surprises on the dancefloor are advised to plug in to patch park.

no 21 feat kid cudi, dj mujava, the bloody beetroots, ac slater and afefe iku!! a must have hit collection!!

full support: m-nus crew, remote area crew, martinez, matt star, tadeo, josh wink, andrew grant, laurent garnier, bryan zentz, marco carola, uto karem, mikel_e, cornell, joseph capriaty. new instalment of our label signed by one of the label owners soulrack, this time offering a very special release, a mixture of old school and minimal stuff. original track on side a is one of soulrack s best track so far, with complex arrangements over a solid rocker 909 groovy and acid 303, that track was done long time ago, some of the top labels interested on it, but finally he decided to release it on his label. on side b comes the remix, this time is for jpls from m-nus getting the basic elements, moving to minimal territories, a really interesting remix perfect for the early hours & after hours. and for closing the release our very own mute: makes his interpretation shuffling the beats a little beat moving soulrack s original to dance floor territories. last but not least one of our finest releases to date.

simone tavazzi did it again! its still by him the new analytic trail release, the number 23 for the precision of markantonios label. this time the young milanese producer dedicated to a style with dark aftertaste, but rich in intensity and rare sounds. the track poltergeist, which you can hear the exceptional remix by english perc from perc trax, drumcode, kompakt, as it is an entity that will dominate clubs, your car and your minds, we will be catapulted into a long journey! and yet the track way out - there is no way out, you can just dance and make people move all night long.

cameas latest clink release has arrived, featuring an alexi delano rework. this eloquently produced ep resonates between minimal, techno and tech-house, and hits the spot for both peak-time and after-hour moods. camea has been hot on the dj circuit this year, and this release is a great tribute to the growing following for her performances. titled >happy ending<, it hits the spot with heady melodies, dark vocals, a touch of soul and irresistible percussion for the dance floor. alexi delanos remix on the b-side delivers an artistic and trackie techno burner that compliments this ep with a flattering perspective. it is a fantastic addition to his long list of heavily rotated masterpieces, including high profile contributions to labels such as plus 8, items and things, spectral, drumcode and frankie records. this combined release is a hot item for djs and collectors.

dark and edgy 4-track smasher by manchesters upcoming techno-talent leif ryan, with influences from breaks and grime. great follow-up to fe03 by neil landstrumm!

the lead single from dj hells forthcoming album teufelswerk. as a stand-alone piece of music its as solid as the dance floors it will be played on, but immediately hints at the wealth of ideas that exist on this forthcoming album.

denis a is one of russias most exciting dj / producer prospects for 2009. already resident at es paradis (ibiza), neo (moscow), and presenter of popular radio show diamonds of dance music aired on mgps 89.5 fm (moscow) denis has established a firm foothold within the dance scene in quick time.

in 2002, carl craig was at the centre of a collaboration between some of detroits most talented musicians old and new, including motown session players percy hughes and ron otis - the result of which was the spellbinding detroit experiment. one of the highlights of this session was their re-interpretation of donald byrd and larry mizells classic think twice, which was transformed into a sublime and unique jazz-house hybrid by this disparate ensemble of techno and r&b heavyweights. to continue the theme laid down by the detroit experiment, we have enlisted the skills of the multi-talented henrik schwarz - no stranger to fusing musical styles. his amazing remix effortlessly combines organic and electronic elements, to create a stirring piece of modern electronic dance music which has already taken the roof off parties across europe and the us, with pre-release plays from djs as diverse as ame, giles smith, justin martin, dixon and kev beadle.

rocking debut by this french dance-punk band, includes cool kids cant die and the toxic avenger remix.

remember when tracks used to be fun, and people smiled on the dancefloor and gave you a big hug, and were happy to see you, and girls shook their asses from left to right in a way that didnt seem possible based on the joint system of the human body? this two-tracker from new artists solo and zombie disco squad should put the smile back in your step

the emphasis with this track is simple... a hard-hitting arrangement and solid production techniques. after the cinematic intro and the sledgehammer bass-lined drop hustler has been destroying dance floors all over. this tune has a pounding bass-line morphing its way throughout, twisting up filters and distortion, with the rhythm of the phrases changing almost at random

mobilee back to back vol. 3, compiled by miss jools, is inching its way to the release date but before then, active listeners can turn ears to the second exclusive vinyl teaser release with remixes from d julz and christian burkhardt. djulz of ovum, pokerflat and intacto records remixed gummihzs 2007 one-of-kind release and turned it into nothing short of a dance floor phenomenon. of course, nothing less could be expected from a man who has been around the world and back since 1992 playing in the most legendary clubs before the most legendary scensters. d julz certainly has the qualification and experience of what it takes to make a party a paaarty! christian burkhardt of oslo, raum…musik and remote area records took one of anjaschneiders more mellow and somber tunes from her spooky beyond the valley album, which ranked third in the charts of groove magazine, and give it a powerful face lift. the hard baseline and repetitive foot-stomping beat is exactly the kind of techno flair that burkhardt embodies in his music. mobilee back to back vol. 3, to be released march 2, 2009, combines a compilation of tracks and remixes produced by mobilees, remixed by other various artists and then mixed again by miss jools in a two-disc spectacular: cd1 is an unmixed selection of 2008 mobilee tracks, all handpicked by miss jools, while cd2 welcomes a list of her favorite producers to remix their picks of the mobilee pack with an additional miss jools spin. miss jools invited talents from the likes of cassy, tobias., nick curly, dinky, djulz, efdemin, christian burkhardt, vincenzo, sven tasnadi and solomun, extending the musical preference.

supported by format:b, bukaddor & fishbeck, len faki, mihalis safras, piemont, onur ozer, technasia, patric bäumel and many more... we welcome kaiserdisco, who are joining the mbf rooster with their upcoming release >pipe!<. kaiserdisco >the friendly boys from hamburg< have already released a cool remix of extrawelt s >im garten von eben< on traum in december 2008, but their heart lies in the world of polyrhythmic grooves mbf has established over the last 2 years. their a-side >pipe!< is a super groove track with a palm flute running amok and cool drumming/ percussion creating a fantastic jazzy-funky rhythm! this track awakes the dead and will work very well on the dance floors. the flipside track >forward< lives up to it’s expectations creating a very strong drive that can rock the bigger floors!

prologue and juho kahilainen (bpitch control, frozen north, initial cuts) release a wonderful deep depressive giant ep called prophet without a vision. juho is recognized as a great electronic artist in europe with the right talent to take you on an excessive dance floor journey without any compromises. de:bug wrote about juho, everybody should take an eye on his productions. prologue shares the same opinion! juho kahilainen has produced one of the greatest summer hits last year on bpitch control and is back on prologue music with a mind-boggling ep called prophet without a vision, now. he is delivering perfect techno tracks with space consuming tunes and unbelievable deepness, people cannot really sit down... you must dance. but dont lose too many words about this prologue release, just listen to it and be surprised. mastered by oliver lieb. support from cio dór, oliver lieb, alex flatner, donato dozzy and many more to come!

a repress of this legendary old school house/rave track from bridget grace and jeff mills pre ur band - final cut. this is a replica of the promo version of the paragon release which contains all sorts of various mixes including one from suburban knight and santonio echols. classic stuff!

breakbeats other married couple, baobinga & i.d, step up to the oche and turn out a jackin wobbler of a remix. total club banger and this has been mashing up the dance on the recent aquasky global tour.

we are very happy to announce the return of luis radio & raffa from last years smash the mood back to the seasons limited imprint! this record picks right up where the mood left off, dirty synth stabs and drums to rock any dance floor you play it to... also in collaboration on the project this time around is the up and coming new star on the underground circuit tony loreto. the madness continues...

opening with orchestral provenance usual alternative has all the epic presence of a lord of the rings re enactment society annual dance and dinner. working up to the drop with classical samples before hitting with one of the heaviest basslines we ve heard all year (alright, its only january, thats not the point...).

serialism continues to deliver superb electronic dance music with queen atom? debut ep. outta is a journey through mental, dark and deep soundscapes yet funky and harmonic, generally different from the whole vibe of nowadays minimal music. ?orror fest?is a unique piece that combines old school, long, hypnotic grooves, with fresh and innovative sounds, rainy soft synth tones and warm atmospheres reminding as a result of classic new wave techno from the 90s, mixed up with the freshest and avantgarde sound of the present. on the flip me2 and phlanoptik close the ep in a very stylish fashion.more percussive, more dancefloor, driven by a un-typical order that makes those two, special tunes for collectors. serialism bring us another release for the music lovers, perfect for after hours mood but also easy to listen at home.

with his first release ever >space ok ep<, stephen hellm enters k-records with a serious statement.the lead track - space ok - combines classic synth parts with a rythmic drive, and bass in your face kick. creating an ambiant fit for the highlights of the evening. workflow is a peaktime stomper with an uplifting synth and stimulating percussion that will set many dancefloors on fire. without a doubt a must-play for all those hands-in-the-air-moments.where workflow left you on a laser-filled dance floor, brk-durch takes you deep below the surface of the earth. its a 10 minute trip with a dark and growling melody that gets inside your head, never letting you go. there should be a warning attached to this song, saying: >caution, only to be used in obscure clubs at times when getting freaky and decadent.<mastered by robert babicz aka rob acid !this release comes in a white black marbled vinyl, limited to 500 copies worldwide!.

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

pit spector started composing music in reggae and jazz bands, playing guitar and piano. he shortly discovered electronic music, following his bro steps ark, who gave him a sampler in one hand, a herbert record in the other. fascinated by this kind of composing, he founded antislash together with john merrick and charlie not fonk. the group is performing extremely punchy and improvised livesets accross europe. pit spector also writes music and sounds for avas verden, a more theatrical and noisy show, influenced by rita mitsuko, herbert and steve reich. in his first 12inch, on minibar, he offers a 4 tracker. its a unique sound and groove experience, with antislash remix. its about clicks, drums, voice, kicks… exactly as we like em. he takes this opportunity to thank again ark for passing on his love for music and dance

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

chris lake is back with a bang. remixes come from a raft of highly acclaimed artists. atfc delivers a tribal and funky take, bringing out the percussive elements while keeping the strength of the original behind it. feed me excel with a dance-floor penetrating version that sits right within the blossoming electro sound of the moment. choosing to keep both the vocals and piano chords whilst adding a pounding, searing synth line. finally hardwell & rehab deliver their own minimal interpretation of delayed hats and vocal teasers, perfect for the tech lead dance floors

first release from newly founded vienna based label do easy records comes along with a rolling minimal house bomb from upcoming producer and well-known dj sebastian lutz from frankfurt. this stunning ep is heated up by remixes from robert dietz (cecille, be chosen, deep vibes) and nico purman (vakant, crosstown rebels , mule). must-have for all lovers of minimal house dance music with a drop of deepness. supported by karotte, anthony collins, matthias meyer, toni rios, reboot, c-rock, david squillance

aroma goes into its 11th year of bringing you quality house music from europe and for the first release of the year we have the honor bring you a brand new 3 tracker from little man big called holy smoke ep. the man behind this project is no one other then gavin belton who is also half of the littlemen. so knowing this you certainly know you are up to some great deep funky house music from the heart of nottingham and opening track shine is bulls eye straight away as this track wont fail on any serious dance floor, guaranteed! both other cuts monastic and thumper play in a genius way around with some amazing vocal samples that make it impossible to stand still and irresistible to not dance to! great start for the new year with this triple a side ep!

getting massive support from mark farina, johnny fiasco, hardsoul, raul campos from kcrw, richard earnshaw, audio whores and groove junkies. salted music welcomes back the one and only lisa shaw with the 3rd single off her upcoming album free (march 10th, 2009). music in you is yet another solid and diverse dance music package with a little something for everyone out there. so whether you are a deep, techy, funky or soulful kinda music fan, there should be something of quality you can appreciate here.

benoit franquet opens his catalogue with a beautiful but moody composition of progressive melodic layers. the way is enriched in distilled clarity, which flows effortlessly through stimulating arpeggios and cinematic envelopes, which despite their tranquil breathing and filtering, are aimed at the heart of the dance floor. pole folder?s continuous tight programmed drums both flutter and drive under sprinkles of inspiring atmospheres from start to finish!

you still cant stop the house! in the spirit of the original chicago acid house of marshall jefferson, larry heard and adonis, and with the intensity of modern dance, comes the kikumoto allstars aka dj/producer cam farrar.

ltd warehouse find... amazing 2 ep package by ion ludwig!! cornerstones is an ep that will prove to become another successful tool used by many in the international circuit, full of intricate rhythms with a low-end that can knock your glass off the table... on the ace expect some rolling basses - people will find it very hard not to dance to. prepare for the deeper swamplands on the flip side.

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

23 years old jeremy discovered electronic music through warp and ur, a decade ago. he started his carrer meeting now infamous mate popof, releasing a couple of collaboration and touring a strong live pa together under the name >wee-kids<. djedjotronics particular style, self called >electronic bitchy dance< is a mix between smooth pumping breakbeat and heavy industrial beats and happy-rough electronic music. his smashing debut ep >turn off< was released 2007 on level75, and got huge support by t.raumschmiere, busy p, justice, o.huntemann, m.oizo..remixes and productions for busy p, unkle, dsl (to name a few) were following quickly after.